
The Concept Album:
The Globe - August 26th

www.myspace.com/thesilentyears
The Globe
Out Into The Wild
On Our Way Home
Climb On My Back
Black Hole
Ropes
The Sun Is Alive
Goddamn You!
The Worlds Worst Birthday Gift
Aging Gracefully
The Axiom
Pay It Back
Open Up Your Eyes
"Underground Artist of the Year 2007" – Spin
Magazine
"Band of the Year - 2008!" - Real Detroit
Weekly
"Vocal harmonies punctuate cascading
melodic hooks. Intertwining inspirations
from Wilco, Radiohead and Elliott Smith, the
band crafts a sound that is scientific, yet
artful."
Detroit Free Press
Straight out of Detroit rock city, The
Silent Years are proud to announce the
upcoming release of their forthcoming album
The Globe, set for release on August
26th. The band has been in the studio
throughout the harsh Detroit winter of 2007,
making the final touches on The Globe with
none other than Chris Coady (!!!,
TV On The Radio, Grizzly Bear, Architecture
in Helsinki, Blonde Redhead) on their
forthcoming album due out August 26th 2008.
Critically acclaimed by the press and having
been compared to and equally inspired by,
artists such as Elliot Smith, Tim Buckley,
Flaming Lips and Sunny Day Real Estate; they
combine simple and sweet melodies with sharp
and powerful bursts of emotion via
instrument and vox; leaving even the most
stoic of listeners with goose bumps and a
smile.
Allow yourself to be taken into the
weird and wondrous world created by The
Silent Years, a very special band indeed.
A
band so special that they have invited other
young talent to collaborate on their vision,
combining sonic and visual art to create one
fully realized representation of the band's
concept for The Globe. At least six videos
will be premiered, the first being next
week. More on that to come soon...

The Globe is a collection of songs which
reflect on humanity and the human experience
itself. Through varying tales which shift
focus from the minute (On Our Way Home) to
the abstract (The Axiom) and gradually
expand to the universal (The Sun Is Alive).
Some tales are told through metaphor
(World's Worst Birthday Gift) and others are
told through personification (Magic Ropes).
The most fascinating part about writing this
record came late in the process when the
band realized they had approached all of the
songs from a very set point of view--but
that point of view was intentionally
shifting--the songs are more open to
interpretation and actually work as a whole
in many various contexts. For example,
"Magic Ropes" is a song about transience:
"There are no magic ropes to keep you here,
my dear...Everything moves faster than you'd
think". “We realized that if taken out of
context, one might read these lines as being
about lost love. But the beauty of the
universe is that lost love is the same as
loss of environment, or loss of memory” says
Josh Epstein, the bands lead man and main
songwriter. The Globe was chosen as the
title because it serves as a very perfect
symbol of scale being an integral part of
our definitions of self and reality.
“(The Silent Years) straddle the line
between indie rock and pop, with soaring
melodies, precise guitar work and Josh
Epstein's vocals (think a less anguished
Gary Puckett, if you remember the '60s)
folded into distinctly modern
arrangements"-LA Times
"One of 10 bands out of 1,000 you should see
at CMJ this year" -New York Times
"The most engaging rock show we've ever
seen. This band must be caught in an
intimate setting while you still can." -
Static Magazine
"The Silent Years seem to
balance traditional pop-rock influences like
the Beatles with some guitar-years
Radiohead, poppy Sonic Youth and Wilco
elements that make them more than a rehash
of years past. The result is upbeat indie
rock with old-school melodies and modern
embellishments. " - Real Detroit Weekly
And as a prelude to The Globe's release, The
Silent Years have generously offered up
their debut self-titled release for FREE.
Yes, that's right, free!

Download Here
“…astute pop craftsmen who should have
enough tricks up their sleeves to last
beyond a group's initial burst of
creativity.”- Pitchfork - 7.3